Photoshop’s info panel is essential when adjusting and describing colors. In this week’s free video lesson, you’ll learn when you might want to change the settings available in the panel and see what many of the less common options are used for.
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In this week’s free video, we’re going to learn about the difference between Photoshop’s Opacity and Fill Opacity settings. These two often seem to have identical functionality. That is until you see how particular blending modes and layer styles respond to the two sliders differently. Let’s dive in and see how the Fill Opacity setting can be used to your advantage.
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Remember to sign up for your FREE pass to the Photoshop Virtual Summit, coming up next month, May 2nd through 6th. I’ll be teaching alongside many other amazing fellow Photoshop experts and we’re excited to see you there!
In this week’s free video lesson, we’re going to be working in Lightroom. You will learn how to take the guesswork out of matching color by using the numbers that appear below the histogram in Lightroom Classic. In this case, I’ll match two different colored bricks on a building, but you could just as easily use this for all sorts of other purposes. Enjoy!
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Remember to sign up for your FREE pass to the Photoshop Virtual Summit, coming up next month, May 2nd through 6th. I’ll be teaching alongside many other amazing fellow Photoshop experts and we’re excited to see you there!
Hi gang! In this week’s free video lesson, we’re going to learn how to use a combination of high dynamic range and Lightroom’s powerful masking features in order to handle those scenes with tricky lighting.
Sometimes the scene you are attempting to capture contains a wider range of brightness levels than your camera can capture in a single shot. That’s when you’ll either end up with solid white in the bright areas, or solid black in the dark regardless of which exposure settings you use. Even when you are able to capture the full brightness range of the scene, you may find that after brightening the shady areas, you end up with distracting noise. That’s when you should consider bracketing your exposures to capture the full brightness range of the scene and then merge those exposures into a High Dynamic Range (HDR) image in Lightroom Classic. Even after you’ve done that, you’ll likely find that Lightroom’s basic development choices are not enough to produce a satisfactory image. It’s the combination of HDR and masking that will allow you to produce an acceptable result. Let’s dive in and learn how!
I hope you learn something new, and remember to hit the Subscribe button below so you don’t miss out on any future videos.
Remember to sign up for your FREE pass to the Photoshop Virtual Summit, coming up next month, May 2nd through 6th. I’ll be teaching alongside many other amazing fellow Photoshop experts and we’re excited to see you there!